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Royal Focus: The Cullinan V Heart Brooch
Royal Focus: The Prince Albert Brooch
This large oblong sapphire is surrounded by twelve round diamonds. It was given to Queen Victoria by Prince Albert of Saxe-Coburg-Gotha the day before their wedding. For their wedding she wore the brooch with a diamond necklace and earrings and always referred to the jewel as 'Albert's brooch'.
While Prince Albert was alive, Queen Victoria wore it constantly and inexpensive reproductions of it were made for those subjects who wanted to purchase a version of the brooch. After his death in 1861 she rarely wore it. In her she instructed that it be considered a Crown piece of jewellery, held in trust for all future Queen consorts. Queen Alexandra wore it pinned to her shoulder for her coronation in 1902. Queen Mary wore it often, but Queen Elizabeth, the Queen Mother was rarely seen wearing it. The brooch is a favorite of the present Queen. Prince Albert made copies of the brooch for his daughters and the present Queen gave one of these to her daughter, Princess Anne.
© Marilyn Braun 2010
The Royal Report for Sunday February 14, 2010 - Bertie and Elizabeth - A Love Story
Listen to the episode here.
Publications mentioned
Hello! Canada Weekly No 161 15 February 2010
From My Royal Collection
Princess Diana's Maternity Fashion & Nursery Handbook
Resources used to research this episode
Elizabeth The Queen Mother by Hugo Vickers
The Queen Mother by Hugo Vickers
The Last Great Edwardian Lady by Ingrid Seward
Queen Elizabeth, The Queen Mother - The Official Biography by William Shawcross
George VI by Sarah Bradford
Five Gold Rings A Royal Wedding Souvenir Album
King George VI and Queen Elizabeth by Frances Donaldson
Tune in to the next episode of The Royal Report on Sunday February 21, 2010 at 9:00PM EST (North America).
The topic will be: Wallis and Edward - A Love Story
© Marilyn Braun 2010
Question: Does the Queen wear wigs?
I say QE II has worn wigs in public for many decades. Have you talked about this in your blog? My sister says she wears expensive wigs . Michael Fagan said he saw her wigs on her makeup table. Can you verify this? I would appreciate your
insight. I say she wears wigs and does so as a convenience.
In all of the books I've read about her, I don't think I've ever heard about her wearing wigs. I'm going to have to say no, I don't think that the Queen wears wigs. Yes, when Michael Fagan broke into the Queen's bedroom in 1982 there were reports that he had seen a wig. The Sun, a tabloid newspaper, reportedly paid his wife, Christine for the rights to her story. Amongst the tantalizing revelations, the Queen wore a shortie nightgown and had the figure of a 16 year old. Viewing photos of her circa 1982, can you picture her owning either?
The Queen has had the same hairstyle, with some slight variations, for the last eighty years. Towards the end of the 1940's, when it was almost to her shoulders, was the longest length she wore it. In the 1950's she had the petalled pin-curl style, fashionable at the time. In the 1960's it resembled a football helmet circa 1938 and she has more or less stuck with this particular look since then.
Unlike her late sister, Princess Margaret, the Queen has never experimented with her looks. She's never worn elaborate updos or changed the color and she seems blessed with hair that hasn't thinned as she has gotten older. When it started to go gray in the late 1980's she stopped dying it altogether. Like her mother and grandmother, the Queen has had the same ubiqitious style - handy for keeping the look of stamps and currency consistent. The only instance of false hair I can find is that her grandmother, Queen Mary, as a young woman, wore an artificial fringe attached to the front hairline called a 'bang'.
She has used the same hairstylist, Ian Carmichael, for the last 11 years. If she wears wigs then only her hairdresser knows for sure.
© Marilyn Braun 2009
Royal Profile: Cecil Beaton
When Cecil Beaton visited a clairvoyant in 1926, she told him that he would have a lot to do with royalty. At the time he could not have realized just how prophetic that statement would be.Cecil Walter Hardy Beaton was born in London on January 14, 1904, the grandson of a blacksmith, and the eldest son of a prosperous timber merchant. He had three siblings: Reginald (Reggie) born 1905, Nancy (born 1909) and Barbara (Baba) born 1912. When he was 11, his grandmother bought him his first camera, which he taught himself the basics of photography, using his mother and sisters as his first models. When he became more proficient he sent his photographs off to London society magazines, writing under a pen name but recommending the work of 'Beaton'.
Raised in Hampstead, he attended Heath Mount School, London where he felt like an outsider much of the time. It wasn't until he attended Harrow School that he hit his stride and involved himself in the theatre, designing sets, sewing costumes and performing. Although not academically inclined, to please his parents he attended St. Thomas' College, Cambridge, studying history, art and architecture. He continued to work on his photography in his homemade studio, sending photographs to the major fashion magazines. Through his university contacts he was commissioned to photograph the Duchess of Amalfi. The photograph, bought and printed by Vogue, gave him his first ever published work.
In 1925 he left Cambridge without a degree and his father gave him a job in his office as a clerk. He lasted eight days. Bringing along his camera, he spent his time attending society parties, taking photographs of the elite and London glitterati. These photographs formed his first exhibition in 1927. Shortly afterwards he set up his own studio, establishing himself as London's definative society photographer. As his success grew he set his sights on the glamour of Hollywood, eventually photographing Marlene Dietrich, Tallulah Bankhead, Marlon Brando, Marilyn Monroe, Audrey Hepburn and Greta Garbo, amongst others.
During the Second World War he worked for the British government and military as official photographer and his images of the devastation were later published in the book Winged Squadrons (1942). In addition to his flourishing photographic career, he wrote several books, worked as an illustrator and set designer for various theatrical productions; winning four Tony awards. For his work in film, he won two Academy Awards for costume design for Gigi in 1958 and My Fair Lady in 1964. His black and white costumes for My Fair Lady were inspired by the 1910 Black Ascot following the death of King Edward VII.
He would photograph the royal family for fifty years, starting in 1930 with Princess Louise, daughter of Queen Victoria. In his royal photographs he was greatly inspired by painters Franz Xaver Winterhalter and Thomas Gainsborough and used blow-ups of their paintings as backdrops for some of his most successful and romantic portraits of Queen Elizabeth and the young Princesses Elizabeth and Margaret. These portraits did much to restore the image of the monarchy after the Abdication in 1936, particularly transforming the image of Elizabeth, Duchess of York from minor royal into regal personage when she became Queen. Some of his most notable photographs included the wedding of the Duke and Duchess of Windsor in 1937, the Coronation of Queen Elizabeth II in 1953, as well as the first official photos of the infants Prince Charles, Princess Anne, Prince Andrew and Prince Edward. Beaton was also influenced by photographers Marcus Adams and Bertram Park and in the 1950's and 1960's his photographs took on a more informal style, inspired by Irving Penn and Richard Avedon.
In 1957 he was became a Commander, Order of the British Empire, in 1960 he was made a Chevalier, Legion of Honor, and he was knighted in 1972. He suffered a stroke in 1974, and although one side of his body would be permanently paralyzed, he taught himself to write and draw with his left hand and had his cameras adapted. However his health would remain damaged and he died in Broadchalke, Wiltshire, 18 January 1980.
© Marilyn Braun 2006